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I}OPM___PPT10u.D`'+D=' = @B +"G{ B:<(  < <  k% 0e0e?,Content Placeholder 2 \ O80___PPT11 Las historias narran variados hechos delictivos, criminales y las peripecias que conllevan su esclarecimiento. Reflejan, en general, las caractersticas violentas, corruptas, oscuras del contexto social representado a partir de una cosmovisin pesimista y de cierto fatalismo. La violencia y la amenaza de muerte parecen signar constantemente el devenir de los sucesos y la conducta de los personajes. La resolucin de la historia afronta, en general, circunstancias inevitables y trgicas, porque la muerte es ambas cosas. Do    c   V]8Xx$ < #  ? I}OPM___PPT10u.<+D=' = @B +", '@( ; @ @  " 0e0e?,Content Placeholder 2"= 7 PK! 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[Content_Types].xmlPK-!1_a /_rels/.relsPK-!si*drs/shapexml.xmlPK-!drs/downrev.xmlPK `|  xXP___PPT110( ^Estructura Narrativa  Film Noir / Cine Negro d0  cc c c c0 L D  $ 0e0e?,Content Placeholder 2 `| {XP___PPT110( (Se basa en los tres actos clsicos, inicio  desarrollo  desenlace, no necesariamente en un orden lineal. El conflicto transita hechos  reidos con las normas sociales dominantes. La estructura de personajes presenta como eje al antihroe de pasado oscuro, con personalidad y motivaciones difusas, pero con una dimensin tica distintiva y diferenciada del entorno corrupto. La presencia ineludible de la mujer fatal, quien se torna irresistible aunque inevitablemente peligrosa y poco confiable. El desenlace conlleva el esclarecimiento del hecho criminal, pero no deviene en un final  feliz sino en la confirmacin inevitable de la fatalidad pesimista. f c cc  c c@+     \  V]8Xx$ D #  ? I}OPM80___PPT10.C`7\m" x jb H(  Hh H  pX% 0e0e?Title 1 `\  80___PPT11 dEstrategias del Relato c v H   0e0e?,Content Placeholder 20`\ 80___PPT11 PLa distribucin de la informacin puede conformar equvocos o  pistas falsas en la organizacin del relato. Dichas pistas deben tener coherencia y nunca se dejan  sueltas para no menguar la consistencia del relato. La focalizacin, el saber acerca de la historia, se alterna entre los personajes. stos conocen ms que los espectadores y que el protagonista. El suspenso, por lo tanto, es un recurso dominante ya que genera tensin y demora en la resolucin del enigma. Pm  l   c   V]8Xx$ H #  ? I}OPM80___PPT10.HЙ"?; 0LS( X# > L L  r( 0e0e?,Content Placeholder 2P `d ,@8___PPT11 -Los espacios donde se despliega la historia son urbanos, a veces marginales y de cierta peligrosidad. La fotografa transita claves bajas, las penumbras y el uso de fuertes contrastes. Abundan las escenas nocturnas. El uso del blanco y negro puede abordar diferentes significaciones. El sonido aporta espesor, densidad y complejidad al relato. A veces su uso no diegtico aade climax y tensin. El montaje conforma la temporalidad del relato ms adecuada a la historia narrada. Sus cambios de ritmo narrativo son claves en la conformacin del relato. Ff   -cBm       V]8Xx$ L #  ? I}OPM80___PPT10.KxS"\xp^RЀ3ÿ lHbP  @AL G@;b `B&V?@ABCDEFGHIJKLMNOPQRSTUVWXYZ[\]^_`abcdefghijklmnopqrstwxyz{|}~Current User 5 Estrategias del RelatoSlide 7  Fonts UsedDesign Template Slide Titles_MarianaMarianaa Gonzlez